Aperture
and Depth of Field
Depth of field from Simmone Dudley on Vimeo.
Larger aperture openings, like f/4, will tend to have shallow depth of field and a smaller aperture opening, like f/16, will tend to have everything in focus. Depth of field is doubled by closing down the lens two stops.
jack shallow depth from Simmone Dudley on Vimeo.
Depth of field from Simmone Dudley on Vimeo.
Larger aperture openings, like f/4, will tend to have shallow depth of field and a smaller aperture opening, like f/16, will tend to have everything in focus. Depth of field is doubled by closing down the lens two stops.
jack shallow depth from Simmone Dudley on Vimeo.
The
size of the stop is one factor that affects depth of field. Smaller
apertures (larger f numbers) produce a large depth of field, allowing objects at a
wide range of distances to all be in focus at the same time.
jack deep focus from Simmone Dudley on Vimeo.
Decreasing the aperture opening increases the depth of field, which
describes the extent to which subject matter lying closer than or farther from
the actual plane of focus appears to be in focus. In general, the bigger the aperture (smaller f numbers), the shallower the depth of field.
In the depth of field
In front of the depth of field
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